It has been more
than three decades since the Sesame Workshop as
the producer of one of the most famous children's
television show Sesame Street was first launched
in the United States of America. With the prime
objective if imparting educational training to
the millions of children as well as their parents,
Sesame Workshop indeed accomplished its pivotal
goal, and in doing so expanded its coverage to
a number of countries around the world with due
adoption in the local languages of the respective
countries. By the end of the year 2001, the program
was broadcast in more than 150 countries of the
world, and co-produced in local languages in some
20 countries. Local actors, writers, musicians,
animation and sets were used to maximize the local
contribution and inclusion of local culture and
traditions of the respective countries.
Analysis of International Growth
Gaining immediate success, wherever it was broadcast
the management of Sesame Workshop sought to increase
its clientele in countries with huge populations
such as Brazil, France and India. The fact that
Sesame Workshop was a not-for-profit organization,
the task of spreading the network around the world
was indeed tedious, yet the impact and accomplishments
gained in its first few years in countries where
it was launched, it was crucially felt that the
program had to be expanded on a global scale.
Even though factors such as financing for such
a huge expansion program and growth required equally
huge financing, not to mention the manpower needed
to expand the organization and maintain the standard
which had made the program an immediate success
in the first place.
One of the first hurdles faced by the management
of Sesame Workshop in its endeavors to expand
the program on a global scale was to assess it
in terms of a real business. This was indeed a
difficult task, as special programs for a specific
county or a special video could not be prepared
keeping in view the time and resources required
for developing the business and at the same time
maintain the standard of the show. Then there
was the issue of addressing the needs of a pre-scholar
in France with that of India for example. As both
the category and needs of children of both the
countries were the same, yet the factors of opportunity
and feasibility were at the core, aside from the
additional staff and resource for accomplishing
such a task.
A brief on some of the primary set of strategies
adopted for international growth by Sesame Workshop
included a curriculum of goals based on the development
of social, moral and effective development, language
and reading, mathematical and numerical skills,
reasoning, problem solving, and perception. The
management also set aside and vigorously followed
a mission statement, according to which the objective
of the "Sesame Workshop is to create an innovative
and an engaging content that maximizes the educational
power of media to help all children reach their
highest potential.”
Evaluation of And Pursuit of Alternatives
For International Growth
In addition to the above set of strategies, the
Sesame Workshop also innovated its own set of
values for the children and projected them through
each of its programs aired around the world. These
included for example 'Innovation', which emphasized
on seeking new ways to make the media friendlier
for the children, as well as create a sense of
imagination and inquisitiveness amongst the young
audience the world over. Through the value of
'optimism' Sesame Workshop sought to maximize
the educational potential of media amongst the
children of the world. The value of 'knowledge'
was inculcated in such manners that the qualities
of research and understanding were presented to
expand the children understands, as well as make
them appealing. In turn this helped them learn,
develop and grow with the material that was presented
to them. Then there was the ever-important aspect
of 'diversity', through which not only were the
children made to realize and appreciate other
children of the world, it also created an imaginary
world where all the children of the world co-exist
with each other.
In analyzing the international growth of Sesame
Workshop, one may also observe that Sesame's management
also sought to purse a three-fold financial strategy.
These included assembling of both public and private
funding partnerships for the support of educational
initiatives, with Israeli/Palestinian co-production
of Sesame Street as being one example. The Netherlands
Ministry of Foreign Affairs, the Ford Foundation
and the Israeli Ministry of Education funded this
partnership. The second financial goal consisted
of supporting educational activities with self-generated
revenues, which included for example foreign and
domestic product licensing, distribution of local
language adaptations and co-productions of Sesame
Workshop programs. The third financial goal was
to establish 'under-lying financial stability
through the maintenance of investment portfolio
so that operating costs as well as deficiencies
if any may be covered by such activities.
Further evaluation and analysis of the Sesame
Workshop through its prime mission, educational
strategies, and financial goals showed that another
new program, 'Open Sesame' was yet another milestone
in the Sesame series of programs for children
around the world. Thus, pursuing the notion of
"how we will reach the most number of kids?”
instead of "how we will make the most money?
indeed infused a new set of synergies. Thus, today
the same Sesame Workshop is viewed by millions
of children in places such as Russia, China, Mexico,
Southern most tip of Africa such as the countries
of Mozambique and Central African republic of
Angola where the program is aired in Portuguese.
(Inkpen, 2002)
In presenting a few comments and recommendations,
it is the view of the writer that though Sesame
Workshop and its sister program such as 'Open
Sesame', the organization has indeed come a long
way in educating children of the world, as well
as creating an atmosphere of diversity, as also
experienced in the Israeli-Palestinian co-production.
The organization has also opened up new vistas
for development of media, as well as created avenues
for generating revenues, even though it is and
strives to remain an entity as a not-for-profit
organization.
As for the recommendations, one may note that
there has been considerable set of gains in developing
niche markets for such programs to be aired through
private or government funding. Yet the need for
creating a sustainable source of financing, in
particular for countries where financing such
programs is nearly impossible, is certainly the
need of the hour, as also a pre-requisite for
the continuity of such programs. Indeed the mission
of educating the children of the world is very
noble and worthy of acknowledgement. Yet the competition
by private channels airing programs through commercial
patronage and financing perhaps makes this noblest
of tasks all the more difficult, but not entirely
impossible.
Reference
Inkpen, A., (2002), Sesame Workshop and International
Growth.
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